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Tag Archives: #amwriting

Writers Digest

 

I’m offering a full scholarship to a Writers Digest workshop.

I’ve just signed with a literary agent — again. First time around was pretty disappointing. This time, though, signing with Amy Collins of Talcott Notch Literary, it already feels very much like entering the dynamic, collaborative business relationship it’s supposed to be. We’re taking action, and I’m elated at the possibilities ahead.

I first made contact with Amy in March through a four-day workshop put on by Writers Digest University, called “First 10 Pages Bootcamp”, where she was one of the instructors.

The workshop, which costs $200 US, seemed to be the next step in my seemingly endless agent querying efforts — after all, if I’d queried dozens and dozens and dozens of agents with my first pages and no one had shown real interest, I had to find out if there was something in those pages …

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Okay—you have a brand-new book by a new-to-you author, and you’ve been itching to dive into it. Finally you have enough peace and quiet to start. The strong writing draws you into the story world right away. As we expected to, we learn that Brad, the hero, is a good guy. We like him. We’ve learned his dog shelter is in deep financial trouble, and we’ve seen his devoted kindness to the rescue dogs. He hasn’t taken a salary for three months in order to pay his assistant. He’s got unpaid bills, and the mortgage payment is due in two weeks.

Besides that, though, Really Bad Things have happened to Brad. He’s sleeping on the shelter’s reception area couch, because a week ago he came home unexpectedly to find his partner in bed with their hunky neighbor, whereupon the partner announced that he’s moving in with hunky neighbor. Brad can’t …

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While all of us love a good romance, I’ve come to the conclusion that we read them for different reasons. One reason is no better than another, but I’m going to suggest that it’s important for an author to be aware of what basic reason they seek to serve when setting out to write a romance. Through that authorial choice, we extend an invitation to a reader as to how we expect them to enter our story.

I’m not claiming to be encyclopedic about this, (so let’s assume my list is incomplete) but I’ve identified three primary emotional invitations to a romance reader—that is, three distinctly different reasons why a reader might want to read a romance starring two men. I’ll be brief about the first two, because I want to spend more time on the third.

  1. Reader as Stand-in. 

The first is the most obvious—the traditional romance invitation, inherited …

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It’s been a strange couple of years for all of us since I last posted: not just because of COVID, but more importantly, the profoundly destabilizing, disorienting force the pandemic has been in our culture.

What do I have to show for my two-year silence?

Well, without going into all the detail: life-threatening diagnoses, two life-changing surgeries for me and one for my hubby, writing a 120k word fantasy, traumatic estrangement from a beloved family member, finding a literary agent, parting ways from said agent, pulling my books from a dishonest publisher, getting said books ready for indie release, querying agents until I saw Query Tracker in my sleep, selling our house and moving, music lessons, radiation therapy, and diving into a new writing project that I’ve carried in my heart for years, and falling more deeply in love with my wonderful husband as we approach the 20-year mark in …

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